„(...) Michael Borth as Count Almaviva on the other hand is a gentleman in a pink suit. Even in his revenge aria (Vedrò, mentr’io sosprio) his strong and agile baritone voice maintains balanced.” Südkurier

BIO

Baritone Michael Borth is a critically-acclaimed young singer with a lot of experience and a large repertoire, ranging from baroque to 20th-century music, and from oratorio (Mendelssohn's Paulus at Berliner Philharmonie 2014) to contemporary opera (2020/21 debut in Peter Maxwell Davies' chamber opera Mr Emmet takes a walk). 

He first considered a professional stage career when he performed in musical productions at school, in which he succeeded in leading roles. 

Michael Borth studied in Weimar with Siegfried Gohritz and in Berlin at the Hochschule für Musik Hanns Eisler with KS Roman Trekel. This was followed by two years in Valencia as a member of the Centre de Perfeccionament Plácido Domingo. Michael's roles in Valencia included his debut as Albert in Massenet's Werther (with Anna Caterina Antonacci as Charlotte) and as Benoît in La Bohème. He also succeeded as Il Dio in Händel's Silla, conducted by the famous baroque-specialist Fabio Biondi. He got important technical and artistic impulses by Thomas Quasthoff, Gregory Kunde, Plácido Domingo, Ann Murray, Juan Diego Florez, Chris Merritt, Aris Argiris and Manuela Custer.

During the past years he performed with a number of distinguished conductors such as Roberto Abbado, Emmanuel Villaume, Daniel Cohen, Josep Pons, Jordan de Souza and André de Ridder. 

From 2018 until 2023 Michael Borth was part of the soloist ensemble of the Theater Freiburg, where he debuted in many of the most prestigious baritone roles: Onegin and Don Giovanni, followed by Conte Almaviva in Mozart's Le Nozze di Figaro. His beautiful warm voice with radiant colours and his strong stage presence impress and convince audiences and critics. He also appeared as Dr Falke in Die Fledermaus and in a rarely performed opera by Erich Korngold (Der Ring des Polykrates). For the latter Opernglasnoted in February 2020: “Michael Borth as Peter Vogel is so much fun, with his comedic appearance and powerful, clear baritone voice (…)”. He sang Marcello in Puccini’s La Boheme, as well as the role of Mark Rutland in Nico Muhly’s opera Marnie, which is based on the novel by Winston Graham and the Hitchcock movie. 

The pandemic of 2020-22 caused all kinds of challenges to artistic life world wide. Theater Freiburg, like so many other opera houses, reacted to those difficult circumstances with a big variety of chamber opera performances. In that time Michael sang Mr Emmet in Sir Peter Maxwell Davies' chamber opera Mr Emmet takes a walk, adding a new facet of contemporary music to his repertoire. The excellently-reviewed production was created by Herbert Fritsch. Michael was credited by critics of covering “all the conceivable and unthinkable moods one can imagine in a Mr Emmet with a supple baritone with great tessitura.”

In season 2021/22 Michael was invited by conductor and composer Fabrice Bollon to join the cast in Janáček’s The Cunning Little Vixen for a studio recording by NAXOS, which was released in July 2023. That same season he performed the role of the Gamekeeper in a staging of the same piece at Theater Freiburg, beautifully produced by the young stage director Katarzyna Sokolova. This was followed by role debuts as Lescaut in Massenet’s Opéra Comique Manon and as Erasmus of Rotterdam in the world premiere of Fabrice Bollon’s second opera The Folly; a role, that was written for Michael’s voice by the composer. The Folly has been recorded with the original cast and will soon be released. 

Alongside his work at Theater Freiburg, Michael is a regular guest at other opera houses. In 2019 he had his successful house debut at Komische Oper Berlin as Schaunard in La Bohème, directed by Barrie Kosky. In summer 2020 he also returned to Rossini Opera Festival in Pesaro, performing the role of Il Barone di Trombonok in Rossini's Il Viaggio a Reims, after his successful participation at Accademia Rossiniana Alberto Zedda in Pesaro in 2017. Earlier international engagements brought him to Teatro Massimo Palermo (Starveling in Britten's A Midsummer Night's Dream) and Gran Teatre del Liceu in Barcelona (Sergeant in Manon Lescaut), where he returned to in season 2019/20 as Mandarin in Puccini's Turandot (broadcast live on ARTE TV). In November 2021 Michael celebrated his house and role debut as Platon Kusmitsch Kowaljow at Theater Basel in a new production of Schostakowistch’s political satire The Nose; Michaels second cooperation with Herbert Fritsch. In season 2022/23, Michael sang his first Papageno in a stylish and celebrated new production of Die Zauberflöte at Opera National du Rhin in Strasbourg. Just before that, in October 2022, he sang Il Dio in a semi-staged production of Händel’s Silla in Yokohama, together with the baroque ensemble Europa Galante and Fabio Biondi. 

In Season 2023/24 Michael will return to Theater Basel as Donner in a new production of Das Rheingold by Benedikt von Peter and Caterina Cianfarini; musically under the direction of Jonathan Nott. Theater Basel will show this production in 2025 as part of Wagner’s ring cycle. Further engagements will bring Michael back to Freiburg as Nick Shadow in The Rake’s Progress by Stravinsky, as well as his house and role debut at Landestheater Detmold in the role of Joseph de Rocher in Jake Heggie’s critically acclaimed first opera Dead Man Walking.

“A dreamcast is Onegin sung by Michael Borth, that not only has a powerful baritone voice, but also knows how to use it in many differentiated ways.”

Siegfrid Schibli/ Basler Zeitung